evidence 1 & 2 (diptych)
This Sunday, August 2, from 5-7pm, Sun Mountain Lodge in Winthrop, Washington www.sunmountainlodge.com will be having a reception in its gallery for four artists, myself included. I am showing eight framed works, a combination of landscapes and still lifes. Not limited to a theme or any particular boundaries, I chose some of my most interesting works.
Evidence 1 & 2 is a diptych that I made years ago but it has always been close to my heart. I told Laura, one of the curators, that in the 24 years I’ve been doing art full-time, Evidence most clearly expresses what I wish my art to be. I find it the most succinct and beautiful of anything I’ve ever done. I’ve felt that before in a new piece, but after a time it fades. Evidence has always been at the pinnacle in my mind’s eye. Strange, to be aware of that, and I continue to look at it and wonder what it has that stuns me.
I remember finding the emaciated branches, down by the stock tank, one early spring day. They had been a plant of some kind, dried and buried in snow all winter, leaves gone, and then, just a line drawing was left. The branches coming off the grey stem were just like tiny strips of paper, but they also were like messages, or musical notes. Each one twisted and reaching a different way, beautiful. I took them back to my studio and went to work. The two stems were only about a foot high each, and I put them in a vase, and they sat on the windowsill for years after. Until, breezes thru the window, time and dry air, they slowly came apart. Looking at the artwork that is left, I love the simplicity, the symmetry and asymmetry, and what they tell me about time. There is something else that intrigues me, but it cannot be put into words – only be shown in a piece of art…instantly recognized but indescribable like a profound mystery.
Evidence 1 & 2, diptych. Pigment ink on cotton printmaking paper. 29″ x 15-1/4″ each. Framed 36″ x 18″ (each).
image copyright © Ken Smith 2015 all rights reserved.